Adam.M's work highlights human realities which, although made invisible within the stereotyped masses, exist nonetheless and play a part in the society of today and tomorrow: those of a variety of women, attached to their freedom, overcoming restrictions, engaging in intrinsic self-exploration and fulfilling themselves as they choose to do so.

Her film Thérèse(s) et Simone(s) received the Cineffable Audience Award in 2014.

After studying Art History at the Sorbonne and Audio-visual at ENS Louis Lumière, Christelle Vincent-Poupin has turned to audio-visual fiction and photography. She uses a quasi-documentary approach to represent and produce models absent or barely visible in the collective space. Her work reveals her intimacy and that of couples in public places. She has exhibited in places like the Violette and Co bookshop and at the Lesbian and Feminist International Paris Film Festival Cineffable, first exhibiting in 2006.

Originally a dancer, Sophie André takes classes at the School of Applied Arts Duperré and ENSBA. Since 2001 she has been exhibiting her half-figurative-half-abstract paintings in Paris and the provinces, in France and abroad, in places like Les Scandaleuses (now 3W), the Yvon Lambert Gallery with the AIDS collective or l'Espace Art Gallery in Brussels.

Sophie André questions the visibility of women in society and in art. Even if images of certain types of women are represented in the artistic world, the independent, free and powerful woman is under-represented. Similarly, women artists are not very visible. Sophie André also interprets mythology with her series dedicated to the Amazons and The Daughters of Danaus. She works freely and intuitively using bright colours like red which is a multi-symbolic colour, ranging from violence to passion and expressing purged suffering. Black and white are used to underline and trace movement. Inspired by dance, she plays on the rhythm of colours, lines and materials, reflecting a pictorial choreography.